The quick edit section is surprisingly powerful The sections include subs, bass guitars, hybrids, low brass and many more and these are easy to preview. Here you can choose from nine categories and within each one, a further nine sources. There are three layers in any patch which can all be edited independently and clicking any of these jumps you to its source selection area. The Main page is the first you come to and provides quick, easy access to all the most fundamental parameters of a sound. The 5 GB library is relatively compact by today’s standards and the instrument is self contained, meaning you do all patch loading from within its interface. The focus isn’t on emulating any particular model of bass but rather taking a wide range of sources and harnessing the immense power of Kontakt (including the free player version) to provide total control. To its growing stable of Kontakt-based instruments, the company now adds SUBSTANCE, a “bass engine” that uses samples and extensive processing tools to provide an almost infinite palette of bass sounds. Hollywood, CA-based developer Output has made a name for itself producing unique and forward-looking instruments such as Rev, Exhale and Movement, all of which blend musicality with advanced sound design capabilities.
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